John Krasinski

The movie is based on a short story about a woman who finds out one day that she can breathe the thin Martian atmosphere.

John Krasinksi answers your most pressing ‘A Quiet Place’ questions about the monsters and, yes, farting.

Will the success of ‘A Quiet Place’ lead to a franchise?

As the wheel of revivals turns, The Office looks like it might be next. Rather than returning for a full series, however, star John Krasinski said he’d rather borrow a page from the show’s O.G. incarnation to make it happen.

Don’t move, and don’t make a sound, or they’ll get you.

It’s a tale as old as time: In a near future, not too far from our own, the few remaining survivors of some mysterious Earth-shattering incident have carved out a desperate, tenuous living while fighting to survive. There is something undeniably — and satisfyingly — old-fashioned about A Quiet Place; a thriller that examines our place in a society that no longer exists and what it means to be human in the face of monstrous terror. It’s also a knuckle-biting masterclass in escalating tension that establishes John Krasinski as a serious filmmaker capable of crafting one hell of an emotional thrill ride.

It’s been two years since the role was first confirmed, but John Krasinski’s Jack Ryan finally has a 2018 assignment. The new Amazon take on the iconic Tom Clancy character will debut Labor Day weekend, but a new Super Bowl trailer is already here.

NBC is rarely one to learn the right lessons from success, so how best to follow a thriving Will & Grace revival? Why, undoing any goodwill from The Office series finale, of course, and plotting an official revival for the 2018-19 season!

You'll never guess which Kardashian studied theatre arts, or which 'Jersey Shore' brainiac-turned-party-boy holds a degree in poli-sci.

Every major historical movie comes with a choice. Do you go seek the true story behind the film’s events in an attempt to be well-read prior to its release? Or do you embrace your ignorance  —  albeit temporarily  —  in order to ensure the sanctity of the cinematic experience? It isn’t difficult to find in-depth literature about the film; Wayne State University Press recently re-released The Detroit Riot of 1967, a first-hand account by the former aide to the Detroit police commissioner who now serves as the Dean of Public Affairs at the University of Michigan. In many ways, Kathryn Bigelow’s Detroit seems to be setting a historical precedent for the abuse of power stories we see in every city across America.