Scarlett Johansson

For every review praising the fun and artistry of the Marvel Cinematic Universe, there are three more thinkpieces bemoaning the fact that we still haven’t gotten our Black Widow movie. And for good reason: She’s a character with a fascinating history whose arcs in the comics are always dynamic and interesting and grounded in current events, plus she’s the only one on the core team who hasn’t had her own movie yet. Every time the prospect is brought up, the folks at Marvel are usually neutral-to-positive about the idea — even her costar Chris Evans thinks she should get her own.

Have you ever seen those movie ads on TV filled with gushing quotes from critics and thought to yourself, “I saw that movie; it was terrible. Where did they find these positive reviews?” If you have, you’re not alone — and you’re going to love ScreenCrush’s newest series, Critics Are Raving!, which balances the cinematic scales with trailers full of slightly more accurate (and slightly more negative) lines from reviews. Real critics. Real quotes. Really bad movies. That’s what’s Critics Are Raving! is all about.

Kyle Davies, the President of Domestic Distribution for Paramount Pictures, is not having a great week. The early eruption of a backlash to his studio’s newest release (the generously-budgeted Ghost in the Shell remake) and its whitewashed casting was cause for concern. But up until recently, he could assuage his shareholders’ worries by clinging to the notion that hackle-raising on the Internet would not have any tangible effects on the box-office receipts. That changed after this past weekend, when the Scarlett Johansson vehicle mustered a piteous $19 million in wide release. Left to answer for the film’s commercial failure, Davies has placed the blame on the controversy over tapping confirmed white woman Johansson to portray an Asian role, to which the whole of the Internet will now respond with a hearty “DA-DOY.”

There’s a huge problem at the center of Ghost in the Shell. You already knew that, though. You’ve heard about the whitewashing controversy and the problems of co-opting Asian culture for western audiences. But as bad as you might have heard that whitewashing problem is, it’s even worse. It’s impossible to discuss the movie’s troubled treatment of identity politics without spoiling some big reveals, but before we get into those, there are plenty of other things that make the live-action remake a disappointment.

Now that March is officially part of the summer movie season, the deluge of blockbuster marketing has started earlier than ever. We used to be able to wait until the summer to comb through a batch of brand new television spots for new footage from upcoming releases; instead, with Ghost in the Shell landing at the end of this month, we’re being treated to the same escalating series of theatrical trailers and short television spots. No wonder the climate seems to be changing so rapidly: if Mother Nature gets her news from basic cable, she’d be forgiven for thinking it’s almost Fourth of July weekend.

SNL didn’t quite have its ducks in a row with the announcement that Hidden Figures star Octavia Spencer would lead the first March show; lacking a musical guest to accompany. Now, not only has NBC filled out the March 4 dance card, but so too will Scarlett Johannson make a return appearance the following week.

The government is not to be trusted, not at present and certainly not in the trippy future Japan of Ghost in the Shell. Major Motoko Kusanagi (Scarlett Johansson) has been led to believe that she endured some manner of terrible accident in life, and the police department salvaged her body by augmenting it with cybernetic implants. In exchange for a second chance at consciousness, all she has to do is devote herself to fearlessly cleaning the street of crime and to surrender what’s left of her free will; naturally, she has some doubts about this. And when she meets an enigmatic stranger warning her that all is not what it seems, her whole understanding of who the bad guys are starts to shift.

Two movies steeped in the very same kind of controversy are about to hit theaters: The Great Wall, whose casting of Matt Damon in the lead role of a movie ostensibly about a fantastical spin on Chinese history is laughable at best, and Ghost in the Shell, which cast Scarlett Johanssen in a role that is, for all intents and purposes, a Japanese woman. Well, robot-woman. Both sets of actors from both films have tried their best to find ways around this whitewashing issue, with many involved in The Great Wall calling it a “cross-cultural” story of “an outsider.” Johanssen recently addressed accusations of whitewashing leveled at her own movie, and unfortunately she doesn’t really get it.

Ah, the Super Bowl: the one magical night each year in which the nation unites under the binding forces of domestic macrobrewed beer, buffalo chicken wings, and good ol’ American football. Everyone’s got something to enjoy at the big game, whether that’s the competition itself or, for those of us unable to enjoy sporting events due to PTSD over a childhood of getting picked last, trailers for a movie in which Scarlett Johansson plays a sexy police robot. The Super Bowl regularly doubles as the premiere for a handful of brand new previews of upcoming blockbusters, and Paramount has done us all the solid of giving us a three-day jump on the fun.

From Katy Perry to Charlize Theron to Troye Sivan, countless A-list celebrities joined the Women's March protests in Washington, D.C., Los Angeles, New York City and more.